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Community Enthusiast Events at Wet Paint

Ofrenda “Cigar Box” Workshop

If you have visited Wet Paint during the past 2 weeks, you may have noticed some changes.  What used to be the office, is now housing frames and easels.  We have moved the administrative and management staff off of our main floor, giving us much needed space for products and events.

680470_4440636687970_353664104_oSo on Saturday November 2nd, we will push the easels out of the way and set up for the first in-house Wet Paint workshop. Customers often ask us for classes at Wet Paint.  Our series of in-store “Try-Its” and “Demos” have been very successful, but those in attendance know how our space has been limited.  Last year when Armando Gutiérrez G showed off his decorated alters, ofrendas, and offered customers advice, many begged for a class to actually build their own ofrenda.

This year we are offering a 3.5 hour hands-on workshop so you can make your own ofrenda. Enrollment is limited to 10 and registration is required.

DSC_0135Armando is a longtime friend of Wet Paint.  He works in many mediums and incorporates his strong cultural and spiritual beliefs into his work.  Adding to this his many years of teaching, Armando was perfect at our “Try-It” event last year celebrating the Day of the Dead.  This year’s workshop is a great opportunity to learn from a master with more elbow room than we have ever offered at Wet Paint.   The class fee also covers a cigar box and the art materials to decorate your own ofrenda. You are encouraged to bring your own photos, copies or small items to personalize your box.  Armando will provide an ongoing dialog about the cultural significances of the Day of the Dead and ofrenda as well as tips and techniques to make compelling art in this traditional form.

Check out his website to see his portfolio.

Register for the class online or stop in the store!  Workshop cost is $35 and is 10:30am to 2pm on November 2nd at Wet Paint.

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Enthusiast Professionals

Why Wet Paint loves Gil

gilNearly 30 years ago I met Gil.  Gil was selling art supplies at a store in Berkeley.  Next time I saw Gil, he owned an art supply store in Palo Alto.  Both of us being independent art supply retailers meant we had a lot in common.  What we didn’t have in common, we have in a friendly way, argued about over the years.  Gil likes to travel and spends lots of time in Europe.  And during those trips, he has found some great art supply lines that no one was importing into the United States. So we share our retailer woes together plus Wet Paint buys Gil’s Kunst & Papier books and Fibonacci brushes.

Justin with his Kunst & Papier sketchbooks
Justin with his Kunst & Papier sketchbooks

Kunst & Papier is a German line of sketchbooks and journals.  They were designed by an artist because he couldn’t find a sketchbook to meet his own needs.  The Wet Paint staff heartily endorses this line through their own personal use of the product.  All of the sketchbooks are made with beautiful, quality paper.  They respond to a variety of media and of different artists’ touch very well.  The binderboard sketchbooks are their signature line.  With a highly flexible spine these books have a great lay flat quality. No more using the side of your palm to hold the rolling paper flat.  With plain bookboard covers, they are plain and simple in appearance which then can become the substrate for the artist to personalize.  Newbie at Wet Paint, Chris, likes the subdued appearance which you can “make your own without defacing the book.”  Both Liz and Justin rely on Kunst & Papier because their books are so well made they “wear well” and hold up to hauling them around with you.  Even K&P’s simplest soft-covered sketchbooks that have few sheets and staple binding meet the discerning eye of Virginia who applies a wide range of media to their pages.  Everyone feels they are just the most esthetically pleasing line of books, to the eye and to the touch.  They look good. They have a wide variety of sizes.  They have great paper.  They are well constructed.

Gil with a handful of Fibonacci brushes
Gil with a handful of Fibonacci brushes

A few years back Gil visited Wet Paint with the Fibonacci line of brushes he found during his travels.  The jaded Wet Paint staff, who have seen and tried just about every brush currently made, all wanted their own Fibonacci brushes.  Beautifully crafted with synthetic blended heads in a vast assortment of sizes and shapes for water media.  So what’s with another line of brushes?  Liz likes the comfortable, well balanced handles.  Verra likes the great snap of the hair. Justin likes the fact they hold their point for a very long time.  Steve likes the crispness of the lines they make. Another esthetically pleasing, well-crafted tool.

When you handle lots of art materials, you just know when you pick up the good ones.  These are them.

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Community Enthusiast Students

Most Often Asked Question at Wet Paint

If you were to ask Darin, General Manager at Wet Paint, what customers ask for the most that we don’t provide, it would be “classes.”  Besides not having classroom space, we at Wet Paint also believe the Twin Cities offer many options for further artistic learning. We have come up with some unique partnerships to connect those who manufacture art supplies with a number of organizations to bring new learning experiences to our customers and our community.  There are a number of classes and workshops we have helped develop this October featured at existing educational venues with our friends in the art materials industry, our customers and the Twin Cities community.

Mary Esch
Mary Esch

St Paul Community Education still has space open in “Almost Intermediate Drawing & Color Pencil” with Mary Esch.  An internationally recognized artist who has art in the Walker Art Center’s permanent collection, Mary Esch worked at Wet Paint a long, long time ago.  This is a hidden gem of an opportunity to work with this talented artist at Community Ed prices.  The class is held Monday evenings at Creative Arts High School.

Another Community Ed opportunity is “Open Studio Painting” with Dan Mackerman starting October 9th at Edgcumbe Rec Center.  Professional artist Mackerman will help beginning artists decide which is the best wet media for them.  This is a way to experiment with watercolor, acrylic and oil without having to purchase 3 ranges of color.

Brian Buell, president of Logan Graphic Products will teach a ½ day class on DIY mat cutting.  The class, held at Macalester College on October 26th, will take you through border calculation, mounting and cutting both single and double mats.  Brian comes armed with mat cutters and materials for everyone in class to have hands on training. This workshop is also part of St Paul’s Community Ed. Click here to see the entire Community Education Catalog!

Susan Rostow demonstrating Akua
Susan Rostow demonstrating Akua

Wet Paint is pleased to bring Susan Rostow, founder of Akua Inks to the Twin Cities.  Susan became concerned about health safety issues surrounding printmaking and created soy based printing inks which are highly regarded in college printmaking departments.  Besides offering a free talk at Wet Paint the evening of October 11th, Rostow is teaching a workshop at Highpoint Center for Printmaking on Saturday October 12th.  At this writing, there are still some spots open in this workshop.  Read more here!

Yuming Zhu
Yuming Zhu

Yuming Zhu, master of Sumi painting, has come to the Twin Cities for a number of years doing demos at Wet Paint and teaching workshops at some of the art centers in the area.  October 29 and 30, Yuming will teach a two-day workshop called Golden Leaves at White Bear Center for the Arts.  Yuming is a mesmerizing teacher and quite witty, too. This is a way to experience White Bear Center for the Arts’ new building which I saw last week and it is fantastic. Read more here!

All these classes have fees and registration through the organizations presenting the classes and workshops.  Wet Paint is happy that we can pool our resources and bring these opportunities to our community.

Categories
Community Enthusiast Students

Wet Paint’s Friends at the Art Academy

New location at 651 South Snelling Ave.
New location at 651 South Snelling Ave.

Once the Minnesota State Fair is over, Wet Paint, Grand Avenue and Saint Paul is buzzing with the excitement of the Back to School season. And after you settle into the fall semester routine, make sure you have set aside time for art classes. A favorite school for many of our customers is the Art Academy here in St. Paul. For 20 years, the Art Academy has leased space from educational institutions. Early in 2013, they moved into their own space at 651 South Snelling.

Sarah Jane Stowell Oil
Sarah Jane Stowell
Oil

We are raffling off free tuition for one class for the fall term 2013 which runs eight weeks from September 30th through December 8th. It is for any class (except the figure drawing class or co-op). This is a $180.00 value. The drawing will take place Friday, September 20th at 10 a.m… You will be notified by phone or email. Of course, this raffle is only open to anyone who can attend a class in Saint Paul.

The Art Academy opened in 1993 and celebrating its 20th year. Director Jim Robinson came to the Twin Cities from Chicago with a degree from Columbia College to study at Atelier Lack. As he read art history he questioned trends in kids’ art instruction. “When I was growing up, children’s art education had dwindled to craft-based “creative” exercises. Skills weren’t being taught. I wanted to create a program with a focus. I believe kids have an innate capacity to draw and paint exceptionally well, and I constructed a school so those natural abilities can blossom.” To support that idea, Robinson researched Renaissance teaching methods and has patented a method based on those ideals.

State Fair Blue Ribbon! Andrea Fields, Age 15
State Fair Blue Ribbon! Andrea Fields, Age 15

The Art Academy has taught thousands of children (and adults) drawing and painting skills. Although the school is structured with classes, it offers a Montessori model. Students work on individual projects at their own pace. Instructors teach 2 to 7 students at a time. The atmosphere is supportive and positive, fun and non-competitive. Similar to the Suzuki violin method, Robinson does not believe that the sole purpose of instruction is to train professionals. “In any art school, only a small fraction of students pursue fulltime careers. Equally important is to build confidence and an appreciation of art that fosters individuality and nurtures kids to become well-rounded adults.”

State Fair Winner! Malcolm Kelner, Age 7
State Fair Winner! Malcolm Kelner, Age 7

What also develops over time is a community of students and teachers spanning generations. Kids return year after year, forming long-term relationships with Robinson and his staff. Many have become apprentices and teachers at The Art Academy. “By structuring the school around a Renaissance studio we were able to help students acquire successful life skills to carry into any path.”

This is a great opportunity to learn or improve your drawing skills. You can see the proven results of their methods to teach representational drawing and painting skills at their website www.theartacademy.net. Get into the swing of the back to school season and add an art class.

 

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Professionals Students This just in! New products we are excited about

Why Wet Paint Stocks Holbein Acrylics

“If I could say it in words there would be no reason to paint.” Edward Hopper

This quote from painter Edward Hopper encapsulates the ongoing dilemma of describing your paintings with words. No matter what you say about your subject matter, your colors, the texture of your paint, you come up short. Talking about the paint itself is a little easier but tends to draw upon descriptors that may sound foreign to the untrained painter. There are artists who view paint as mere pigment to extend with water and get some color on their image. Then there are painters who can sense the difference in paint lines, from the way it comes out of the tube, to how it grabs onto a brush and then how it releases onto the canvas. And how colors mix varies from one manufacturer to another, how much elbow grease it takes to blend yellow and red into orange.

HAU_romance7When companies come to Wet Paint and offer a new acrylic line, we shuffle and make excuses like we don’t have the space. What it really comes down to there often isn’t that much difference from one brand to another. So along comes Holbein, a favorite manufacturer partner of Wet Paint’s with a newly formulated line of acrylics. We were very pleased to find out that they have developed a line of color that is not a “me too” replicant of the category leader. The Holbein Heavy Body Artist Acrylic has some unique properties to claim a position of their own.

Virginia trying out the new Holbein Acrylics
Virginia trying out the new Holbein Acrylics

Greg Graham, painter and Wet Paint Floor Manager, got the opportunity to play with these new acrylics. He felt the paint’s consistency is softer, even silky, under the brush, but not slippery, compared to other acrylic lines. “It reminds me of Lascaux which, unfortunately, is out of many acrylic painters’ price range.” It feels a little more like oil paint and does seem to have a longer working time. It didn’t tack up as quickly as many of the other acrylics. If you like to paint directly from the tube rather than using additives, gels and mediums, the Holbein acrylic has a great feel under the brush. Virginia McBride, another Wet Paint staffer who is more of a drawer than a painter, found the silkiness when mixing colors very enticing.

The new Holbein Acrylic
The new Holbein Acrylic

Holbein is offering a range of 113 colors in acrylics. Their color selection contains many pigments you find in their oils and watercolors. Manufactured in Japan, the Holbein palette not only contains traditional Western palettes from the Renaissance through the Impressionists to the Moderns but includes colors friendlier to an Asian esthetic. Some favorites from other mediums that are unique to Holbein are their classic mixed colors like the Compose Blue series and the Luminous colors of Violet, Rose and Opera. Like their oil paint, Holbein’s acrylics have a consistent body and sheen from one color to another.

The new Holbein Heavy Body Artist Acrylic is a painter’s paint. We are happy to add this color line to our selection at Wet Paint. This fall is a great time to try them out. They are on sale and there is a free tube of Titanium White with a purchase of 5 tubes of color.

Every day is a good day when you paint.

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Community Enthusiast Events at Wet Paint News & Media

Spark your Creativity

one of Carla's whimsical bunnies
one of Carla’s whimsical bunnies

We are pleased to have two hours next Monday, August 19th, with Carla Sonheim. Artist, author and teacher, Carla will rev up your creativity through an organic presentation and hands on event like so much of what we do at Wet Paint. Sonheim is finishing up a series of classes at the Midwest Art & Lettering Retreat and we are thrilled to have her visit Wet Paint during her trip to the Upper Midwest. She is widely known for her books “Drawing Lab for Mixed-Media Artists,” “Drawing and Painting Imaginary Animals” and “The Art of Silliness” as well as her retreat workshops and online classes. We will have her books on hand for Carla to autograph. And she will nudge you through some “blob hunting” exercises to inspire and encourage your creativity.

Sonheim's new book
Carla Sonheim’s new book

What really excites me about Carla’s work is how much fun she has. I have watched many of the demos Wet Paint has hosted this summer and many techniques I’ve seen are really created just to get beyond staring at the blank canvas and asking, what am I going to make? She breaks through that barrier and helps you unleash your creativity to turn a contour drawing of a piece of bacon into an imaginary creature looking something like a dog. Not unlike techniques the Surrealists used to draw images out of their unconscious, Sonheim’s exercises will likely find the Dr. Seuss in you rather than the Dr. Freud. The pure joy of being creative. Just what the doctor ordered.

Find out more about Carla at her website www.carlasonheim.com or follow her blog.

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Community Enthusiast Events at Wet Paint News & Media

A Night of DIY Printmaking

ruthanngigposter
Ruthann Godollei’s new book

This Thursday, July 11th, Wet Paint will host an evening event that’s part Try-It, part meet-and-greet and part book signing with our friend Ruthann Godollei. Hot off the press is Godollei’s new book, “How to Create Your Own Gig Posters, Band T-Shirts, Album Covers, & Stickers: Screenprinting, Photocopy Art, Mixed-Media Collage, and Other Guerilla Poster Styles”, published by Voyageur Press. If you’ve ever wanted to print party announcements, your soccer team’s t-shirts, or posters for a band, this book is for you. Although Godollei is the printmaking professor at our neighboring institution, Macalester College, this book isn’t just for artists and students. It covers all DIY topics and media and will help anyone create their own prints. In fact, Ruthann will be demonstrating cutting your own stencils out of paper during this Thursday night event. Don’t stay away because you don’t have your own printing press. Don’t stay away because you can’t draw. She will assist you in overcoming any barriers to creating your own multiples in no time. And neighborhood folks, don’t be shy. You will most likely know Ruthann from her green stenciled Volvo art car. If nothing else, make sure to stop in so you can hear her many stories from a recent European tour with the group of artists called “Travels in Typography.” They printed their way through Europe, even at the Gutenberg Museum.

Godollei's unique Volvo
Godollei’s unique Volvo

It is exciting to see the growing interest in printmaking happening far beyond the walls of art departments in colleges and museums.  Our smart phones and many image sharing programs online have given everybody images to work with and printmakers seem to be embracing the general population’s interest in their mediums.  Maybe that’s because printmakers have had to share all along.  They have shared equipment, and they have naturally had to help each other in a group effort to produce a print compared to the more isolated processing of making a painting.

So join Ruthann and Wet Paint this Thursday evening.  Hear some stories.  Get a book.  Cut a stencil.  Take part in some community and some fun.

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Professionals Students This just in! New products we are excited about

Why Wet Paint stocks Masterpiece Canvas

Display of Masterpiece canvas in Wet Paint
Display of Masterpiece canvas in Wet Paint

I have had about 50 years personal experience with canvas as a painting support. The first 20 as a painter, the next 30 mostly as an art supply retailer. Some of the historic canvas prep techniques I learned in school aren’t taught anymore and many of the materials used aren’t readily available. There are a number of reasons for these changes. First, many painters want to spend their time creating rather than preparing. Second, many don’t have the access to tools and space for stretcher building and canvas stretching. Third, pre-made stretched canvases are now available at a much higher quality.

Wet Paint staffer, Meg Nelson, holding one of the small size canvases
Wet Paint staffer, Meg, holding one of the small 6×8″ size canvases

Since 1965, Masterpiece Artist Canvas has been improving their stretched canvases to earn their reputation for professional quality today. Artists used to build their own stretched canvases so they had control over the end results. Masterpiece has built into their everyday production the features that artists could not find in “ready-mades” 20 years ago. They offer 3 profiles of bars, all of which keep the canvas surface away from the wood so it doesn’t show through one’s paintings. All the stapling is done on the back so the edges are smooth to be painted or for ease of framing. Corners of the canvas are folded and not cut so the painting can be taken off the stretchers, rolled, shipped and easily re-stretched. They also automatically add cross braces to canvases 24” and larger to keep the wood from twisting and surface from warping. Masterpiece’s stretched canvas range includes 10 different canvas surfaces to give the artist the right ground, weight & texture for their medium and technique. And they offer 130 sizes from 4×4 to 72×96. All in all, that means that artists now have access to over 3000 different stretched canvas options.

Wet Paint staffers, Chris and Justin, holding a giant 48x72" stretched canvas
Wet Paint staffers, Chris and Justin, holding a giant 48×72″ stretched canvas

Masterpiece is also the only company I know that is obsessed enough about stretched canvas to offer artists dimensions that employ the golden ratio. The golden ratio (or, as in the case of canvas, the golden rectangle) has been used in art and architecture throughout history (DaVinci, Dali and others) to achieve what is believed to be the most pleasing proportions to the human eye. So you may want to try an 18×29 rather than an 18×24 canvas and see if it makes your painting more pleasant. Of course, now that you no longer have to spend your time stretching your own canvas, you have time to paint both an 18×29 and an 18×24 to compare the two.

I know somebody out there is tsk tsk-ing that many artists don’t prep their own surfaces, but there’s a lot to be said for pre-stretched options. Come in and we can talk about how much fun it used to be to prepare rabbit skin glue and apply white lead with a painting knife. Come in and I will to tell you about the 6 canvases I stretched during a tornado (they always had a life of their own.) The bottom line is, most artists stretched their own canvases because it use to be the only way to get the size and surface that they needed. We have a lot more options these days thanks to Masterpiece Canvas and that gives us lots more time to just be painting.  Until July 3rd, all Masterpiece Canvases are 50% off MSRP!

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Community Enthusiast Events at Wet Paint News & Media

Hall of Fame Week at Wet Paint

Wet Paint is offering you more than a week of headliners, Sunday, April 28th through Monday, May 6th. The International Art Materials Trade Show and Convention takes place in Minneapolis this year bringing all these artists into our community. An opportunity like this rarely occurs so you need to make room on your calendar to visit Wet Paint a number of times.

scottSunday, April 28th from 2-4pm

Scott Gellatly, an accomplished landscape painter and an active plein air painter, is also Product Manager for Gamblin Artists Colors. Scott will present a 90 minute talk, “Understanding Contemporary Oil Painting Materials.” He will cover topics such as oil and alkyd paints, painting mediums and varnishes, pigments, painting techniques and studio safety. Wet Paint has stocked Gamblin products since the beginning of their production. We like to support American made art supplies. Like us, Gamblin Artists Colors is committed to artists from product development to staffing. Over the years Robert Gamblin and I have had many conversations. One was comparing Gamblin’s oil to some other paint brands. Robert always says his paint is ready for painters to use right out of the tube unlike stiffer paints that need considerable manipulation before they can be applied to a canvas. Robert Gamblin still remains active in the company but paints as much as possible. Scott has learned the art of oil paint from Robert and has taken over his “on the road” responsibilities. We feel quite honored to have Scott visit Wet Paint. See his work at www.scottgellatly.com

pattibook1 copyMonday, April 29th from 5:30-7:30pm

We have certain customers who are so excited about Patti Brady coming to Wet Paint, they can hardly wait. Artist and author of “Rethinking Acrylic,” Patti is also the Director of the Working Artist Program for Golden Artist Colors. Her knowledge of pushing acrylics over the limits, in any direction imaginable, is astounding. You want acrylics to do what? Patti has an answer and probably a sample in her bag of paint swatches. Patti will give a short presentation followed by all the interaction our audience wants. Come see the new products Golden is introducing in 2013. Golden is a company Wet Paint really believes in. Besides innovative products that meet the needs of artists, they are committed to making sure artists know how to use the products effectively and safely.  Her work can be seen on her website www.pattibrady.com

RTEmagicC_antistatik_jpgTuesday, April 30th from 3:30-5pm

Antistatik, AKA, Stephane Helbert, represents Molotow, and we couldn’t be more pleased to welcome him to Wet Paint from France. Stephane has been part of the Graffuturism art movement and has murals and exhibits throughout Europe. We saw the Molotow marker line last year at the art materials trade show and were so impressed with their covering power. At Wet Paint, acrylic paint markers are one of our fastest growing product categories. Like spray paint, we didn’t realize how many different types of artists would be interested in this product. The applications are numerous. The results are immediate and possibly more spontaneous. They work in a sketchbook as well as on canvas. Acrylic paint markers work in combination with spray paint, traditional acrylic tube paint and anything else you can imagine. And Stephane incorporates many media in his own paintings. Come try Molotow paint markers and see some other products coming soon from Germany.  See Antistatik’s work here.

marieWednesday, May 1st from 5:30-7:30pm

Marie Browning is a new friend of Wet Paint. She is a design consultant to the U.S. Company that imports Tombow products from Japan. Marie has embraced the art of Zentangle along with her Tombow markers and pencils. Her recent book is “Time to Tangle with Colors.” For those unfamiliar with this movement, Zentangle offers an opportunity for opening your creativity through a multi-patterned drawing design. I can attest to the Zen part of the process. I personally find it relaxing and rewarding at the same time. Tombow brush markers are a standard in the world of water based brush markers. They seem to find a place within various creativity practices such as calligraphy, rubber stamping, journaling and more. What you really want to experience is Tombow’s Irojiten colored pencils. Not just another colored pencil line, they are a beautiful range of colors that Tombow presents in striking color family sets. At first they may seem hard and dry but the pencils actually release their colors in a very controlled manner. They are superb for color layering. I haven’t found any color combinations that don’t blend effectively.  Check out Marie’s blog.

kathi

Thursday, May 2nd from 5:30-7:30pm

If all this color is too much to handle, Kathi Hanson from General Pencil has the perfect antidote – graphite and charcoal drawing techniques. She has some new mixed media applications that may surprise you. Kathi will show you all the possibilities with their new Sketch & Draw Kits that would be great for summer travels. General Pencil still produces wood encased graphite pencils in the U.S., and they love to share their pencil making process with their fans. And General Pencil is a family operated company too. I have always appreciated how they incorporate artists’ drawings into their packaging. All in all, General Pencil is the kind of company we at Wet Paint believe in and believe our customers believe in too. Visit her website www.kathihanson.com

OLYMPUS DIGITAL CAMERA

Friday, May 3rd from 5:30-7:30pm

We couldn’t be happier to have Denise Lapointe and David Carruthers from Papeterie Saint-Armand visit Wet Paint to talk about papermaking. Their operation is right at the apex between handmade processes and machine driven mills. I have visited their studio twice and I am amazed at their operation. The first visit the cab driver didn’t want to take me there – it is outside of lovely Montreal in a relatively abandoned warehouse district. Last fall, the area looked like it is ready for revitalization. Denise and David are passionate about papermaking in general and specifically about their own mill. They are proud of their equipment and their black rags for making black paper. Denise is fiery and David is circumspect. And they have stories about the history of papermaking in Canada, about making paper for the restoration of the home of Edith Wharton, about spec’ing paper jobs for rock and roll bands. They are as beautiful as their papers.  See their website www.st-armand.com

Robert%20Paschal%20Working%20in%20his%20Studio

Saturday, May 4th from 10-12:30pm

Robert Paschal and Iwata are both synonymous with airbrush. Robert’s books on airbrush techniques are best sellers. He is a respected airbrush artist known worldwide. Iwata is the most well-known and respected name in airbrush equipment. Take advantage of Bob being here and bombard him with your questions and Bob will help you overcome your fears of airbrushing. We see a new interest in this tool as many artists look for new venues after starting their art making with aerosol paint. An airbrush gives you control where even the widest range of spray nozzles can’t. Joined by Brooke Cedros from Iwata Airbrush, we are giving you the opportunity to test drive the best with the best. For more info on Robert, click here.

katherine_sm

Sunday, May 5th from 2-4pm

In 2008 Daniel Smith Watercolors became available to retailers like Wet Paint. We jumped at the opportunity to stock the watercolor most often requested by our customers. We have been completely happy with this decision and are delighted to introduce our customers to Katherine Taylor from Daniel Smith. Katherine has worked with us from day one to ensure they could work with Wet Paint and our sometimes unique demands upon our suppliers. We have been quite surprised with their constant introduction of new colors. And the colors they come up with do the most amazing things. Serpentine, Shadow Violet, Moonglow. Colors that almost do the painting for you. Join Katherine to experience the hundreds of additional colors available through mixing in the Daniel Smith Watercolor line. See all their colors at www.danielsmith.com

On_the_Go_with_PITT_Artist_Pens

Also Sunday, May 5th from 12-4pm

Two years ago I met Don Colley at a workshop. When he showed me his journals, old ledgers from secondhand stores, filled with his drawings created with Faber Castell pens and pencils, I knew these were special. Besides having a tactile quality of well used books, Don truly captures his subjects. I came back to Wet Paint and said we had to have Don Colley come to Wet Paint with his sketchbooks.DON-COLLEY-Darin-NAMTA We looked at his website and there was a drawing he had done of Darin Rinne, our General Manager, just months before at the art materials convention in Phoenix. Don had drawn him from the back, across the patio, and without knowing his subject, he had captured Darin to a T. If you need a personal coach to motivate you to get moving with your sketchbook, Don is your answer. Don will share his strategies of sketching a subject in public when you don’t know if you have your model for 60 seconds or 60 minutes. Take this opportunity to get out and urban sketch the Grand Avenue neighborhood with a true master.  See more of Don’s sketches here

Carl

Monday, May 6th from 5:30-7:30pm

Carl Judson is my own private cowboy. He saw the traditional European pochade box and made a bullet proof one to address the real needs of the plein air painter. Carl, an engineer turned painter turned product designer, has created and sourced an entire palette of products, the Guerrilla Painter line, to make outdoor painting a painless process with no loose ends trailing behind you from your vehicle to your painting site. Come see Carl at Wet Paint and he will help solve your personal dilemmas of onsite painting. Be amazed as Carl explains why he moved the latch on a box or how to fight glare off the brush ferrule. See Carl’s lovely paintings of the American landscape. And watch him drive off into the sunset in his pick-em-up truck.  Check out Carl’s paintings at www.carljudson.com